HAIKU POEM MOTION VIDEO
HAIKU POEM MOTION VIDEO
The visual tone is ghostly and luminous, with text that appears to waver between presence and disappearance. Red and green act as both cultural and emotional markers, referencing Mexican identity while holding tension between loss and continuation.
Set to Cien Años by Pedro Infante, the piece reflects a perspective on death rooted in remembrance and love, where absence is softened rather than feared. It frames death as a space of connection rather than finality.
Typography does not simply communicate; it fades, returns, and hovers, creating a quiet rhythm that mirrors memory itself.
The visual tone is ghostly and luminous, with text that appears to waver between presence and disappearance. Red and green act as both cultural and emotional markers, referencing Mexican identity while holding tension between loss and continuation.
Set to Cien Años by Pedro Infante, the piece reflects a perspective on death rooted in remembrance and love, where absence is softened rather than feared. It frames death as a space of connection rather than finality.
Typography does not simply communicate; it fades, returns, and hovers, creating a quiet rhythm that mirrors memory itself.
This project translates a haiku into a kinetic visual experience in which typography, motion, and sound carry emotional weight. Centered on the line “When my time comes around, let my last thought be loving with soft light abound,” by Daver Austin, the work treats language as something that drifts, lingers, and dissolves.
This project translates a haiku into a kinetic visual experience in which typography, motion, and sound carry emotional weight. Centered on the line “When my time comes around, let my last thought be loving with soft light abound,” by Daver Austin, the work treats language as something that drifts, lingers, and dissolves.